Ancient Ritual, Addé, sculpture, african homage

Ancient Ritual – Sculpture by Addé 2018

Théodore Monod (1902- 2000) was a French naturalist, biologist, erudite, and humanist, specialist of the desert.

In spite of his (very) old age, he was travelling across deserted areas, yet could, right away, spot any trace/ remains of an ancient human/ pre-human activity.

One day, while browsing a desolate space strewn with pebbles, he crouched down and picked up a rather large stone, then said: “this has been used as a tool, probably by someone in prehistoric times, then left there, where it still remains”.

Then he put back the stone at its exact spot, and went on his trek…

Many animals share the capacity of using elements as tools, mainly stones. Sometimes, wooden sticks, branches, are brandished by elephants or apes, yet not further than a threat.

If animals are able to grasp the concept of tool, they use them as they are found.

Then, around 2.5 million years ago, Homo habilis is able to modify found matter and adapt to its function.

Fashioning tools marks a second step from elementary teleology to the modification of matter using other materials.

Since then, we have not ceased to follow that principle, probably because improvement is fun, and necessity is the mother of invention!

Ancient Ritual, Addé, sculpture, african homage
Ancient Ritual, Addé, sculpture, african homage

“Ancient Ritual” Sculpture by Addé 2018

Discovering ochres cliffs is, still today, an astonishment. In the early times of humanity, it must have been taken as a gift from the gods…
Ancient Ritual, Addé, sculpture, african homage

Ancient Ritual © Addé 2018 – photos Xea B.



{ 1 comment… add one }

African Homage is an art gallery. Addé's works are titled and accompanied by a text that explains each piece. Comments are appreciated when they are addressed to the work, not to the subject. Thank you. / African Homage est une galerie d'art. Les oeuvres de Addé sont titrées et accompagnées d'un texte qui explicite chaque pièce. Les commentaires sont appréciés quand ils s'adressent à l'oeuvre, non au sujet. Merci

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